Sans Superellipse Orraf 3 is a bold, normal width, low contrast, upright, tall x-height font visually similar to 'Spiegel Sans' by LucasFonts, 'Navine' by OneSevenPointFive, and 'Amsi Grotesk' by Stawix (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, sports branding, industrial, confident, modern, sturdy, straightforward, impact, clarity, compactness, modern utility, brand presence, squarish rounds, soft corners, compact, geometric, high impact.
A heavy, compact sans with squarish, superellipse-like curves and consistently softened corners. Strokes are monolinear with blunt terminals, and counters tend to be rectangular-oval, creating a sturdy, blocky texture in both caps and lowercase. Proportions favor wide vertical stems and short apertures, while joins stay clean and utilitarian; rounded letters (O, C, G, e) read as rounded rectangles rather than circles. Numerals share the same squared curvature and dense color, producing a uniform, high-ink silhouette in settings where space is tight.
Best suited to headlines, posters, signage, and packaging where a bold, compact sans can hold attention and remain readable at distance. It can also work well for sports or utility branding, UI headers, and label-style typography that benefits from strong shapes and squared rounding. For body text, it will be most effective at larger sizes or with generous spacing to offset the dense counters.
The overall tone feels forceful and workmanlike, with an industrial, no-nonsense voice. Its softened corners keep it from feeling harsh, but the dense shapes and closed counters convey authority and impact. The style suggests contemporary signage and product labeling where clarity and presence matter more than delicacy.
The design appears intended to deliver a robust, contemporary sans with squared-round geometry that prints and displays with strong presence. Its consistent corner rounding and compact forms prioritize visual solidity and quick recognition over airy openness, targeting attention-grabbing titling and functional display use.
The design maintains a consistent rhythm across glyphs, with minimal modulation and a strong emphasis on verticality. Several forms show intentionally tight apertures and compact interior spaces, which increases punch at larger sizes but can make the texture feel dense in long passages.