Sans Superellipse Habeg 4 is a bold, normal width, low contrast, upright, tall x-height font visually similar to 'Flexo' and 'Flexo Soft' by Durotype, 'Acto' by Monotype, 'Osaca' by Rosario Nocera, and 'Dalle' by Stawix (names referenced only for comparison).
Keywords: headlines, logos, posters, packaging, ui labels, technical, modern, industrial, confident, playful, display impact, interface clarity, signage utility, brand presence, compact economy, blocky, compact counters, geometric, modular, monolinear.
The design is a heavy, geometric sans built from squared-off bowls and superelliptical curves, producing rounded corners with flat-like sides rather than true circles. Strokes are monolinear and sturdy, with compact counters and crisp terminals that emphasize a machined, modular rhythm. Uppercase forms are broad and blocky (notably in O/Q and D), while lowercase keeps a tall, prominent x-height with simple, engineered shapes; the overall texture is dense and highly legible at medium-to-large sizes.
Well-suited for headlines, logos, posters, packaging, and tech or sports branding where a compact, punchy word shape is desirable. It also fits UI labels, dashboards, and signage applications that benefit from sturdy strokes and simplified forms. For longer reading, it will typically perform best with generous size and spacing to offset the dense counters.
This typeface feels technical and contemporary, with a slightly industrial confidence. Its rounded-rectangle geometry adds a friendly, game-like energy while still reading as purposeful and controlled. Overall it projects a modern, utilitarian tone that can skew either playful or serious depending on setting and spacing.
The letterforms appear designed to deliver strong presence with a consistent geometric system, prioritizing clarity and robustness over calligraphic nuance. The rounded-rectangle construction suggests an intention to feel contemporary and screen-friendly, while maintaining a distinctive, engineered silhouette for branding and headings.
Round characters (O, Q, 0, 8, 9) lean strongly toward squarish superellipse shapes, reinforcing a consistent system across letters and numerals. The numerals are similarly constructed and feel display-forward, with a robust, uniform weight and tight internal spaces.