Sans Superellipse Eskih 4 is a regular weight, normal width, low contrast, italic, tall x-height font visually similar to 'Digital Sans Now' by Elsner+Flake, 'Digital Serial' by SoftMaker, and 'Digital TS' by TypeShop Collection (names referenced only for comparison).
Keywords: ui display, branding, headlines, sports graphics, tech packaging, tech, sporty, futuristic, sleek, energetic, contemporary branding, motion emphasis, tech aesthetic, friendly geometry, display clarity, rounded corners, oblique slant, square-round, compact curves, soft terminals.
A slanted sans with a superelliptic construction: counters and outer contours lean toward rounded-rectangle shapes rather than pure circles. Strokes are uniform with softened corners and mostly closed apertures, creating a smooth, engineered rhythm. The forms feel slightly condensed in their bowls with sturdy verticals and angled joins, and the lowercase maintains a tall profile with simple, single-storey constructions (notably in a and g). Numerals follow the same rounded-square logic, with a clean, monolinear presence and consistent corner radii.
Best suited to short-to-medium text at display sizes where the oblique stance and rounded-square geometry can register clearly: app and device UI elements, product branding, sports or automotive-style graphics, and tech-forward packaging. It can also work for dashboards, labels, and navigational typography where a clean but distinctive slanted sans is needed.
The overall tone is contemporary and performance-oriented, combining friendliness from the rounded corners with a purposeful, aerodynamic slant. It reads as modern and technical, suggesting motion, efficiency, and a digital product sensibility rather than a traditional editorial voice.
The font appears designed to deliver a modern, motion-inflected voice built from consistent superelliptic curves and softened corners, balancing a friendly surface with a precise, engineered structure. The aim seems to be strong recognition in branding and interface contexts while maintaining clean, uniform stroke behavior.
The design keeps visual tension through angled terminals and join decisions that emphasize forward movement. The rounded-square skeleton is especially evident in letters like O/Q and in curved segments of S and G, which maintain a controlled, geometric feel rather than a calligraphic one.