Print Isnen 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Axeo Sans' by Asritype, 'Humble Manford Font Duo' by Jinan Studio, 'Madani' and 'Madani Arabic' by NamelaType, 'Sebino Soft' by Nine Font, 'Mundial Narrow' by TipoType, and 'TT Commons™️ Pro' and 'TT Norms Pro' by TypeType (names referenced only for comparison).
Keywords: kids branding, posters, packaging, social graphics, headlines, playful, friendly, bouncy, casual, kidlike, approachability, playfulness, handmade feel, bold impact, friendly branding, rounded, chunky, soft, chubby, cheerful.
This font uses chunky, rounded letterforms with soft corners and a slightly irregular, hand-drawn rhythm. Strokes are heavy and fairly uniform, with gentle swelling and tapering that keeps edges from feeling geometric. Counters are simple and open, and curves dominate over sharp joins, giving the alphabet a plush, bubbly silhouette. Spacing and widths vary subtly from glyph to glyph, reinforcing an informal, drawn look while staying highly legible in short text.
It performs best in headlines, short blurbs, and branding where warmth and approachability are desired—especially for children’s products, playful packaging, casual café signage, or social media graphics. The heavy, rounded forms hold up well on screen and in print at medium-to-large sizes, where the lively hand-drawn texture remains clear.
The overall tone is upbeat and approachable, with a lighthearted, youthful energy. Its buoyant shapes and soft terminals feel conversational and friendly, closer to marker lettering than to a rigid display sans. The impression is cheerful and non-threatening, suited to fun, everyday messaging.
The design appears intended to deliver a friendly, informal voice through bold, rounded shapes and a hand-rendered cadence. By prioritizing softness, legibility, and a bouncy texture over strict geometric precision, it aims to feel personable and fun in display-oriented typography.
Uppercase and lowercase share the same rounded construction, and the numerals match the same soft, inflated style. The dot on i/j is circular and prominent, and many terminals end in rounded stubs that read well at larger sizes. In longer samples, the texture is bold and lively rather than refined, with an intentionally casual consistency.