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Free for Commercial Use

Sans Superellipse Otnek 4 is a very bold, narrow, monoline, upright, tall x-height font visually similar to 'Cream Opera' by Factory738, 'Angela Love Sans' by Fargun Studio, 'FT Graphitum' by Foxys Forest Foundry, 'Miguel De Northern' by Graphicxell, and 'Merchanto' by Type Juice (names referenced only for comparison).

Keywords: posters, headlines, branding, packaging, signage, punchy, modern, industrial, playful, retro, space-saving impact, high visibility, geometric warmth, bold utility, condensed, blocky, rounded, compact, sturdy.


Free for commercial use
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A condensed, heavy sans with monoline strokes and rounded-rectangle geometry throughout. Curves are built from soft superelliptical corners rather than true circles, giving bowls and counters a compact, squarish feel. Terminals are blunt and clean, and the overall rhythm is tight with short crossbars and strong vertical emphasis. The lowercase is large and sturdy, while key shapes like the single-storey a and g, the compact e, and the straight-sided o reinforce the font’s engineered, modular construction.

Best suited to display applications where density and impact matter—posters, headlines, packaging, and bold brand marks. The condensed build helps fit more characters per line while staying visually loud, making it useful for signage and short promotional copy, especially at medium-to-large sizes.

The tone is bold and assertive with a friendly edge from the rounded corners. It reads as contemporary and utilitarian, but the condensed proportions and superelliptical curves add a slightly playful, poster-like energy. Overall it feels confident, direct, and attention-grabbing.

The design appears intended to deliver maximum presence in a compact width, using rounded-rectangle construction to keep the tone approachable while maintaining a strong, industrial clarity. Its consistent stroke weight and simplified forms suggest a focus on bold, repeatable shapes that hold up in high-contrast, attention-driven settings.

Counters are relatively small for the weight, which increases impact at display sizes. Numerals are simple and compact with consistent stroke weight, suited to tight layouts. The punctuation and dot elements appear strongly circular and prominent, adding a graphic beat within text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸