Sans Superellipse Gebaj 3 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Moveo Sans' by Green Type, 'Fact' by ParaType, and 'Core Sans N' and 'Core Sans NR' by S-Core (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, social graphics, sporty, energetic, assertive, modern, industrial, impact, motion, modernity, branding, oblique, blocky, rounded, compact, punchy.
A heavy, forward-leaning sans with compact proportions and smooth, rounded-rectangle curves. Strokes are consistently thick with minimal contrast, producing dense counters and a strong color on the page. Terminals are clean and largely unmodulated, while joins and bowls stay softly rounded, giving the shapes a superelliptical feel rather than geometric circles. The italic angle is pronounced and uniform, and the overall fit reads tight and purposeful, with numerals that are equally sturdy and slightly squared in their curves.
Best suited to display sizes where its strong weight and slanted rhythm can carry impact—headlines, posters, sports and activewear branding, and bold packaging. It also works well for short UI labels or badges where a compact, high-energy wordmark is needed, but the dense counters suggest avoiding long paragraphs at small sizes.
The tone is fast, bold, and emphatic, combining a contemporary, engineered feel with a sporty slant. Its rounded corners keep it from feeling harsh, but the weight and compression make it sound confident and insistent—more headline-driven than conversational.
Designed to deliver maximum punch with a streamlined, contemporary construction: thick strokes, rounded-rectangle curves, and a decisive slant that communicates motion. The intent appears to be a bold display voice that stays modern and utilitarian rather than decorative.
Round letters like O/Q show a squarish, cushion-like contour, reinforcing the rounded-rectangle construction across the set. The italics are true obliques in spirit: the shapes keep their sturdy mass while the slant adds urgency and motion, which is especially noticeable in the diagonals of A, V, W, and the curved joins in S and g.