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Free for Commercial Use

Sans Normal Orluf 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Zin Sans' by CarnokyType, 'Avenir Next Paneuropean' by Linotype, 'Morandi' by Monotype, 'Saint Regus' by Sonar Hubermann, and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, logos, bold, playful, friendly, punchy, retro, impact, approachability, display clarity, brand voice, chunky, rounded, soft corners, compact, high impact.


Free for commercial use
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A heavy, rounded sans with broad, simplified shapes and smooth curves that keep counters open despite the dense weight. Terminals are mostly blunt with subtly softened corners, giving strokes a sturdy, cut-out feel rather than sharp mechanical edges. Uppercase forms are compact and blocky, while lowercase letters show gentle, single-storey construction in key shapes (notably the a and g) with short ascenders and descenders that help maintain an even text color. The numeral set matches the same chunky rhythm, with wide bowls and minimal contrast that read clearly at display sizes.

Best suited for headlines and short-form display typography where maximum impact is desired—posters, packaging, branding, and logo wordmarks. It can also work for labels, UI emphasis, and social graphics when used with ample size and breathing room rather than long passages of body text.

The overall tone is confident and approachable, balancing strength with a friendly softness. Its rounded geometry and compact proportions suggest a casual, upbeat voice with a slightly retro, poster-like energy rather than a clinical or corporate feel.

The design appears intended as an all-purpose, high-impact rounded sans: strong enough to command attention, yet friendly enough for consumer-facing communication. Its simplified, open shapes prioritize clarity at large sizes while delivering a distinctive, bold voice.

In the sample text, the dense weight creates strong word shapes and a very dark typographic color, making spacing and counters especially important; this design maintains legibility through generous inner openings and straightforward construction. The texture is consistent across mixed case, with rounded bowls (o, e, s) providing cohesion and angular joins kept to a minimum to preserve the soft, sturdy personality.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸