Sans Normal Menet 5 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Netadyne' by Godbless Studio, 'Galvani' by Hoftype, 'Lean' by Ogle Studio, 'Core Sans B' by S-Core, 'Gordita' by Type Atelier, and 'Inovasi' and 'Magnify PRO' by XdCreative (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, sporty, dynamic, punchy, friendly, retro, impact, speed, attention, branding, display, oblique, rounded, blunt, compact apertures, ink-trap feel.
A heavy oblique sans with broad, rounded forms and a compact, tightly massed interior space. Curves are built from smooth, inflated shapes while terminals are blunt and slightly sheared by the slant, giving many letters a wedge-like finish. Counters are generally small and apertures tend toward closed, creating a dense, high-impact texture in text. The rhythm is energetic and forward-leaning, with simplified construction and consistent stroke behavior that favors solid silhouettes over fine detail.
Best suited to short, high-impact settings such as headlines, posters, sports or event branding, packaging callouts, and bold signage. It can work for brief subheads or display lines where a strong forward motion is desirable, but is less ideal for long-form reading due to dense counters and the heavy slant.
The overall tone is assertive and energetic, reading as fast and athletic while still approachable due to the rounded geometry. Its chunky silhouettes and pronounced slant add a sense of motion and immediacy, with a mild retro advertising flavor.
This design appears intended to deliver maximum impact with a sense of speed: a simplified, rounded display sans that stays legible through strong silhouettes and consistent oblique structure while projecting an energetic, contemporary-to-retro promotional voice.
Numerals and round letters (like O/0) appear especially compact in their counters, reinforcing the bold, blocky color on the page. The slant is strong enough that tight tracking or small sizes can make word shapes feel crowded, while larger sizes emphasize the font’s graphic punch.