Print Igtu 1 is a regular weight, very narrow, medium contrast, reverse italic, normal x-height font.
Keywords: headlines, posters, book covers, halloween, packaging, playful, witchy, storybook, quirky, handmade, handmade feel, expressive display, thematic mood, quirky personality, angular, spiky, wavy, irregular, tall.
A tall, tightly set handwritten print with a consistent reverse-leaning posture and lively, uneven rhythm. Strokes feel brush- or marker-like, with medium contrast created by tapered starts and pointed terminals rather than rigid modulation. Forms are narrow and often angular, with sharp hooks, flicked ends, and slightly wavy verticals; counters are compact and occasionally off-center, reinforcing the hand-drawn character. Capitals and lowercase share a similar height emphasis, while spacing and widths vary noticeably from letter to letter, adding an intentionally irregular texture.
Best suited to short, expressive settings such as headlines, posters, invitations, and display copy where its handmade irregularity becomes an asset. It fits themed applications—especially spooky, fantasy, or playful craft aesthetics—like book covers, event flyers, packaging accents, and signage. For longer passages, it works more reliably in larger sizes with generous line spacing.
The overall tone is mischievous and slightly spooky, like hand-lettered titles on a potion label or a quirky storybook chapter heading. Its sharp terminals and slanted energy suggest motion and personality more than neutrality, giving text a spirited, theatrical voice.
The design appears intended to mimic quick, confident hand-lettering with a distinctive reverse-leaning slant and sharp, flicked terminals. Its variable widths and intentionally uneven shapes prioritize character and mood over strict consistency, aiming for a memorable, illustrated look in display typography.
Round letters (like O/C) appear pinched and asymmetrical, while diagonals and joins (in K, R, W) show exaggerated, chiseled angles. Numerals match the same narrow, flicked construction, staying legible but distinctly stylized. The font’s texture reads best when allowed some breathing room, as the spiky terminals and variable widths can visually crowd at small sizes.