Sans Superellipse Agdoy 3 is a regular weight, narrow, monoline, upright, normal x-height font visually similar to 'Fou Pro' by URW Type Foundry (names referenced only for comparison).
Keywords: ui labels, signage, posters, packaging, headlines, modern, utilitarian, technical, clean, condensed, space saving, modern clarity, geometric identity, systematic drawing, rounded corners, tall proportions, closed apertures, compact fit, uniform stroke.
This typeface uses tall, condensed proportions with an even, monoline stroke and softly squared terminals. Curves are built from rounded-rectangle geometry, giving bowls and counters a superelliptical feel rather than purely circular forms. The spacing is compact and the overall rhythm is vertical and steady, with minimal contrast and clean joins. Numerals follow the same narrow, rounded-rect construction, and punctuation/dots appear simple and circular, matching the restrained drawing style.
It works well where space is limited and a tall, economical footprint is useful—interface labels, navigation, wayfinding, and compact product text. The clean, geometric construction also suits posters and headlines that need a modern, structured voice without feeling harsh. In longer settings it can create a dense, efficient color, making it best for short-to-medium text blocks at comfortable sizes.
The overall tone is contemporary and functional, with a slightly engineered, signage-like clarity. Its rounded corners soften the strict, condensed structure, making it feel approachable while still precise and disciplined. The look suggests streamlined modernism rather than decorative personality.
The design appears intended to deliver a condensed, space-saving sans with a distinctive superelliptical geometry. By keeping stroke weight consistent and corners softly rounded, it aims for clarity and consistency across letters and numerals while maintaining a recognizable, modern silhouette.
Round letters like O/C/G read as squarish-oval, which strengthens the geometric identity. Some counters and apertures appear relatively closed, contributing to a compact, dense texture in paragraphs. The lowercase maintains straightforward, single-storey forms where applicable and keeps details minimal to preserve a consistent, modular feel.