Sans Superellipse Aggaf 3 is a regular weight, narrow, low contrast, upright, normal x-height font visually similar to 'CamingoDos Condensed' by Jan Fromm and 'Plantago' by Schriftlabor (names referenced only for comparison).
Keywords: ui text, app design, wayfinding, packaging, editorial, modern, friendly, clean, functional, approachable, clarity, modernization, softening, system consistency, interface readiness, rounded corners, soft terminals, compact, monolinear, crisp.
A compact sans with monolinear strokes and softly rounded corners throughout, giving letters a slightly "squared-round" (superellipse) feel rather than purely circular geometry. Curves are smooth and consistent, joins are clean, and terminals tend to finish with gentle rounding instead of sharp cuts. The overall proportions are relatively tight with economical counters and a steady rhythm; round letters like O/C/G read as rounded rectangles, while verticals and diagonals stay crisp and even. Numerals follow the same logic, with straightforward construction and restrained shaping that keeps them clear and steady.
It suits UI and product text where clear forms and consistent stroke weight help maintain legibility, as well as branding systems that want a modern but friendly voice. The compact, orderly texture also works well for signage and labels, and for editorial subheads or short-to-medium reading settings where a clean, contemporary sans is desired.
The tone is contemporary and approachable, balancing a utilitarian clarity with a mild softness from the rounded geometry. It feels practical and tech-adjacent without turning cold, making it suitable for interfaces and everyday communication where neutrality and friendliness need to coexist.
The font appears designed to deliver a modern, efficient sans voice grounded in superelliptical geometry—prioritizing clarity, consistency, and a gently softened feel. Its construction suggests an intent to bridge interface-minded precision with a more approachable, human-friendly finish.
The design’s rounded-rectangular skeleton creates a distinctive texture in text: lines look orderly and efficient, with a subtle warmth from consistently softened corners. This gives headings a modern presence while keeping longer passages visually calm and controlled.