Sans Superellipse Rukib 10 is a regular weight, narrow, medium contrast, upright, normal x-height font.
Keywords: headlines, posters, signage, branding, packaging, modern, technical, retro, architectural, minimal, space saving, geometric consistency, signage clarity, modern voice, condensed, rounded, geometric, monoline, superelliptic.
A condensed geometric sans with superelliptic, rounded-rectangle construction and largely monoline strokes. Curves are tightened into squarish bowls (notably in C, O, D, and G), while terminals are clean and blunt, giving a crisp, engineered feel. Vertical stems are straight and dominant, counters are compact, and the overall rhythm is tall and narrow with occasional width changes in characters like M/W and the round letters. The lowercase uses single-storey forms (a, g) and compact apertures, and the numerals follow the same squared-round logic for a consistent, modular texture.
Works well for headlines, short blocks of copy, and display settings where a compact, vertical rhythm is useful—posters, packaging, branding wordmarks, and wayfinding-style signage. The distinctive superelliptic rounds also suit UI labels, tech-oriented graphics, and editorial titling where a modern, structured voice is desired.
The tone reads modern and utilitarian with a subtle retro-futurist edge, like signage or instrument labeling. Its squared curves and tight proportions feel efficient and controlled, projecting clarity, order, and a mildly industrial character without becoming harsh.
Likely designed to deliver a space-efficient, highly consistent geometric voice built from squared-round forms. The intent appears to balance friendliness from rounded corners with precision from straight stems and compact apertures, creating a recognizable silhouette for contemporary display and signage applications.
Round letters keep a distinctive “rounded rectangle” silhouette rather than true circles, and joins stay smooth and uniform. The condensed width increases vertical emphasis, which can make lines feel punchy and dense at larger sizes; the tight apertures suggest careful spacing will matter in longer text.