Sans Superellipse Ibgif 2 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Muller Next' by Fontfabric, 'Antry Sans' by Mans Greback, 'Performa' by Resistenza, 'Hanz' by Santi Rey, 'Sans Beam' by Stawix, and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, sports branding, impactful, retro, industrial, athletic, bold, high impact, space saving, signage, branding, condensed, blocky, rounded, high-ink, sturdy.
A compact, heavy display sans with tightly proportioned capitals and broadly rounded, rectangular curves. Strokes are thick with subtly modulated joins, and many terminals feel sheared or wedge-cut rather than fully rounded, creating a crisp, engineered finish. Counters are relatively small and verticals dominate, giving the design a dense, poster-ready color. Lowercase forms mirror the same compact construction with firm shoulders and short extenders, while figures are similarly weighty and built for uniform presence.
This design is best suited to headlines, posters, brand marks, and packaging where maximum punch is needed in limited horizontal space. It can also work well for sports or industrial-themed identities, badges, and short, high-contrast statements on the web or in print.
The overall tone is loud, confident, and workmanlike, with a distinct retro flavor that recalls mid‑century signage and bold editorial headlines. Its compact heft reads assertive and energetic, leaning toward a sporty, industrial voice rather than a refined or minimal one.
The letterforms appear intended to deliver maximum visual impact and compact readability, combining rounded-rectangle geometry with crisp, angled details to keep the weight from feeling soft. The overall construction prioritizes strong silhouettes and a consistent, forceful texture in display settings.
The font’s rhythm is driven by narrow letterforms and tight internal spaces, producing strong word shapes but little air between strokes. Round letters (like O/C/G) are squarish and superelliptical, and diagonals (like V/W/X/Y) are thick and compact, reinforcing the dense texture at large sizes.