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Free for Commercial Use

Sans Superellipse Hinom 9 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Muller Next' by Fontfabric, 'JT Mekito' by Jolicia Type, 'LFT Etica' by TypeTogether, and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, industrial, sporty, retro, headline-ready, impact, space saving, modern utility, signage clarity, brand presence, compact, sturdy, blocky, rounded corners, high impact.


Free for commercial use
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A compact, heavy display sans with squared-off curves that read as rounded-rectangle and superellipse forms. Strokes are thick and even, with minimal modulation and tight internal counters, producing a dense, poster-like texture. Terminals are mostly blunt with subtly softened corners, and the overall rhythm is vertical and compressed, keeping letters tall and space-efficient. Round characters like O/C/S are squarish and boxy rather than circular, and figures share the same sturdy, condensed build for a uniform, punchy color on the line.

Best suited for headlines, short statements, and large-scale applications where strong presence is needed. It can work well for packaging, labels, signage, and brand marks that benefit from a compact footprint and a solid, contemporary-industrial voice. Use generous tracking or ample whitespace around it when setting longer lines to preserve clarity.

The tone is bold and assertive, with a utilitarian, industrial flavor that feels at home in energetic, attention-grabbing settings. Its squarish curves and dense weight add a slightly retro, athletic vibe reminiscent of signage and team branding. Overall, it communicates strength and directness more than refinement.

The design appears intended to deliver maximum impact in limited horizontal space while maintaining a clean, sans structure. Its rounded-rectangle geometry suggests a deliberate move toward a modern, engineered feel—balancing friendliness from softened corners with the authority of heavy strokes.

In text settings the weight creates strong emphasis and a dark typographic color, so spacing and line breaks become part of the look. The compact proportions and tight apertures favor short bursts of copy over long reading, where the dense counters could feel heavy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸