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Sans Superellipse Ibnir 5 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Mako' by Deltatype, 'FX Neofara' by Differentialtype, 'Nanueng' and 'Pcast' by Jipatype, and 'PODIUM Sharp' by Machalski (names referenced only for comparison).

Keywords: posters, headlines, sports branding, packaging, signage, industrial, athletic, commanding, compact, retro, space saving, impact, signage clarity, modern utility, condensed, blocky, squared, rounded corners, high impact.


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A compact, heavy sans with squared proportions and consistently rounded corners that give counters and terminals a superelliptical, rounded-rectangle feel. Strokes are thick and relatively even, with tight apertures and sturdy, vertical emphasis; curves on letters like C, G, O, and S read more like softened blocks than pure circles. Uppercase forms are tall and assertive, while the lowercase maintains a straightforward, utilitarian construction with short extenders and compact bowls. Numerals match the same blocky rhythm, with broad, stable shapes and minimal detailing designed for bold, high-contrast presence at display sizes.

Best suited to headlines, posters, and branding where a compact, high-impact look is needed, especially in sports, industrial, or event contexts. It also fits packaging, labels, and wayfinding where bold forms and tight horizontal economy help text stay prominent and legible at a glance.

The overall tone is forceful and practical, suggesting signage, uniforms, and hard-wearing labeling rather than delicate editorial typography. Its condensed massing and softened corners balance toughness with approachability, creating a confident, no-nonsense voice with a subtle retro-industrial edge.

The design appears intended to deliver maximum presence in limited space: a dense, condensed display sans with softened geometry for consistency and clarity. Its rounded-rectangle forms aim for a sturdy, modernized utilitarian look that holds up in loud, attention-seeking settings.

Spacing appears tuned for density and impact, producing a dark, continuous texture in text lines. The rounded-rectangle logic is applied consistently across curves, joints, and counters, which helps keep the design cohesive even in complex shapes like G, R, and the double-story forms in the sample.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸