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Free for Commercial Use

Serif Other Ipra 9 is a regular weight, normal width, high contrast, upright, normal x-height font.

Keywords: book covers, editorial, headlines, magazines, branding, classic, literary, authoritative, refined, editorial authority, classic tone, expressive serif, heritage branding, bracketed, calligraphic, oldstyle, sculpted, ink-trap.


Free for commercial use
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This serif typeface shows a pronounced stroke-contrast and a distinctly calligraphic construction, with tapered joins and sculpted terminals. Serifs are bracketed and often flare into wedge-like ends, giving strokes a carved, inked feel rather than a purely mechanical one. The capitals appear formal and steady, with generous curves and crisp apexes, while the lowercase mixes robust verticals with lively, slightly irregular details (notably in letters like a, g, k, and y). Figures follow the same high-contrast logic, combining broad curves with sharp, tapered finishes.

It suits editorial typography where a classic voice with extra character is desirable—magazine features, cultural journalism, book jackets, and display passages in print or web. It should also work well for branding that wants a refined, heritage-leaning serif with distinctive terminals, especially in titles, pull quotes, and larger sizes.

Overall, the font reads as bookish and editorial, projecting tradition and authority with a touch of expressive, hand-influenced character. Its sharp wedges and tapered strokes add drama and a slightly ceremonial tone, making it feel more distinctive than a neutral text serif.

The design appears intended to combine the authority of a traditional serif with more expressive, calligraphic shaping, adding personality through tapered joins and wedge-like terminals. It aims to deliver a refined, literary tone while remaining readable and structured in continuous text.

The texture in paragraph setting is bold and rhythmic, with strong vertical emphasis and occasional standout details in terminals and diagonals that create a lively sparkle. Curves are smooth and full, while many stroke endings resolve into pointed or flared shapes that give the design its decorative edge without becoming ornate.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸