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Free for Commercial Use

Sans Normal Subos 8 is a regular weight, normal width, high contrast, upright, normal x-height font visually similar to 'Bologna' by David Turner, 'Ador Hairline' by Fontador, 'Optima Nova' by Linotype, 'Blacker Sans Pro' by Zetafonts, and 'Cabrito Contrast' and 'Haboro Contrast' by insigne (names referenced only for comparison).

Keywords: branding, editorial, headlines, ui labels, posters, modern, confident, clean, refined, versatility, clarity, contemporary branding, neutral tone, geometric, monolinear, crisp, open counters, tight joins.


Free for commercial use
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A clean, geometric sans with smooth, near-circular bowls and clearly defined verticals and horizontals. Strokes read as fairly even overall with crisp terminals, while curved letters show a subtle modulation that sharpens joins and gives counters a tidy, controlled look. Proportions are balanced and slightly compact in the lowercase, with open apertures on forms like c and e, and a single-storey a paired with a single-storey g that has a pronounced lower loop. The capitals are straightforward and sturdy, with rounded O/Q forms and a simple, legible numeral set that maintains consistent alignment and spacing.

It suits branding systems, magazine-style editorial layouts, and headline typography where clean geometry and strong letterforms are desirable. The straightforward figures and open counters also make it a solid choice for UI labels, product packaging, and poster text where quick recognition matters.

The font conveys a modern, editorial tone—confident and polished without feeling decorative. Its geometric clarity and restrained detailing give it a contemporary, brand-ready voice that feels calm and professional.

The design appears intended to deliver a versatile, contemporary sans that balances geometric construction with practical readability. It aims for a neutral-but-premium presence that can carry both short display copy and structured, information-forward text.

In text, the rhythm is steady and uncluttered, with clear differentiation between similar shapes (notably I, l, and 1) and numerals that stay readable at display sizes. The overall character leans toward precision and neutrality, with enough curvature to keep it friendly rather than clinical.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸