Sans Normal Ulreh 8 is a regular weight, wide, medium contrast, upright, normal x-height font visually similar to 'Lagu Sans' by Alessio Laiso Type (names referenced only for comparison).
Keywords: ui text, editorial, signage, presentations, branding, clean, modern, neutral, friendly, functional, clarity, neutrality, legibility, versatility, modernity, open apertures, rounded terminals, generous spacing, geometric, crisp.
A clean sans with broadly geometric construction and subtly humanized curves. Strokes are even and steady with gently rounded joins and terminals, producing smooth, uninterrupted contours in bowls and counters. Proportions are comfortably wide with open interior spaces, and the overall rhythm is calm and consistent across capitals, lowercase, and numerals. The lowercase shows simple, single-storey forms where expected and maintains clear differentiation between similar shapes, while figures are straightforward, lining-style forms with rounded curves and clear diagonals.
This font suits interface labels, dashboards, and product typography where legibility and a quiet, modern tone are needed. It also works well for editorial headings and subheads, informational signage, and presentation decks due to its wide, open shapes and steady rhythm. For branding, it supports a contemporary, straightforward identity without becoming overly stylized.
The tone is modern and neutral, aiming for clarity over personality while still feeling approachable. Its smooth curves and open forms give it a friendly, contemporary voice that stays out of the way in continuous reading. Overall it communicates practicality, cleanliness, and a mild, understated warmth.
The design appears intended as a general-purpose, geometric-leaning sans that prioritizes legibility and consistency across mixed text. Its wide proportions and open apertures suggest an aim toward comfortable reading and clear recognition in both short UI strings and longer paragraphs.
The sample text shows stable spacing and a uniform texture that holds together well at larger sizes, with counters staying open and letterforms remaining distinct. Curved letters (like C, G, S, and O) feel circular and controlled, while straight-sided forms keep crisp edges without appearing rigid.