Sans Normal Uhkad 12 is a regular weight, wide, medium contrast, upright, normal x-height font visually similar to 'Linear Grotesk' by Designova, 'Afical' by Formatype Foundry, 'Neue Helvetica eText' and 'Shilia' by Linotype, 'Arbeit' by Studio Few, and 'NeoGram' by The Northern Block (names referenced only for comparison).
Keywords: ui text, signage, branding, headlines, packaging, clean, modern, neutral, friendly, confident, legibility, versatility, modernity, clarity, rounded, geometric, open counters, even rhythm, straight terminals.
This typeface presents a clean, geometric sans structure with broadly rounded bowls and smooth, continuous curves. Strokes feel even and steady, with a clear separation between straight stems and rounded forms, and terminals that read as straightforward rather than flared. Counters are generally open and generously shaped, supporting clarity in letters like C, G, e, and a. Proportions lean spacious, giving capitals and numerals a stable, contemporary silhouette and a consistent overall rhythm across the alphabet.
It suits interface copy and product communication where clarity and a steady texture are important. The wide, open shapes also work well for signage and wayfinding, while the clean geometry makes it a solid option for contemporary branding and short-to-medium headlines.
The overall tone is modern and neutral with a slight friendliness from its rounded geometry. It feels dependable and matter-of-fact rather than expressive, projecting a confident, utilitarian voice suited to everyday communication.
The design intention appears to prioritize legibility and a consistent, contemporary typographic color through geometric construction and open internal spaces. It aims to be a reliable general-purpose sans with a crisp, modern presence across both display and text settings.
Uppercase forms look constructed from simple geometric logic, while lowercase maintains a pragmatic, readable build with clear apertures and uncomplicated joins. Numerals are sturdy and straightforward, matching the letterforms closely in texture and presence.