Sans Superellipse Ogmuj 1 is a bold, normal width, low contrast, upright, normal x-height, monospaced font visually similar to 'Monoplan' by Plantype and 'Fonetika Mono' by Tokotype (names referenced only for comparison).
Keywords: ui labels, signage, packaging, posters, badges, industrial, utilitarian, technical, retro, robust, systemlike, clarity, durability, compactness, impact, squared, rounded corners, blocky, compact, sturdy.
A heavy, blocky sans with rounded-rectangle construction throughout, giving bowls and counters a squarish, superelliptical feel. Strokes are consistently thick with minimal modulation, and terminals are mostly flat or softly rounded rather than tapered. Curves resolve into broad radii and straight segments, producing a crisp, engineered rhythm; apertures tend to be tight and counters relatively compact at display sizes. Numerals and letters share the same sturdy geometry, with simplified forms and clear, uniform proportions that keep the texture even across lines.
Well suited for short, high-impact text such as UI labels, buttons, navigation, and instrument-style readouts, as well as signage and wayfinding where a sturdy, engineered look is desired. It also works effectively for posters, packaging, badges, and headings that benefit from a compact, industrial texture.
The overall tone is pragmatic and no-nonsense, with an industrial, tool-like presence. Its squared-round shapes read as technical and system-oriented, while the dense weight adds a confident, slightly retro hardware vibe.
The design appears intended to translate a rounded-rectangular, system-like geometry into a dense, highly legible display voice. It prioritizes consistency and a mechanical rhythm, aiming for a practical, technical aesthetic that remains visually strong in blocky all-caps and mixed-case settings.
Punctuation and small details appear deliberately simplified and squared off, reinforcing a consistent grid-like logic. The face favors strong silhouette clarity over delicate interior openness, which makes it feel more like a label or interface font than a refined editorial text face.