Sans Superellipse Onras 5 is a regular weight, wide, monoline, upright, normal x-height font.
Keywords: user interfaces, app branding, tech packaging, signage, headlines, futuristic, technical, clean, friendly, modular, modernization, systematic design, screen clarity, brand distinctiveness, rounded, geometric, soft corners, squared curves, open counters.
A geometric sans built from rounded-rectangle and superellipse-like forms, with consistently softened corners and a steady, even stroke. Curves tend to resolve into flattened terminals and squared-off bowls, giving letters a slightly “rectangular” roundness rather than pure circles. Apertures are generally open (notably in C, S, and e), and the design keeps a calm rhythm with straightforward joins and minimal contrast. The lowercase features single-storey a and g, and the numerals follow the same rounded-square logic with clear, compact counters.
This style suits user interfaces, dashboards, and product branding where clarity and a modern geometric voice are needed. It also performs well in headings, short paragraphs, and signage thanks to its open apertures, steady stroke, and distinctive rounded-square silhouettes that remain recognizable at a range of sizes.
The overall tone feels contemporary and tech-forward while staying approachable due to the generous rounding and open shapes. Its modular geometry suggests UI and product design, but the softened edges keep it from feeling cold or purely industrial.
The design appears intended to translate a rounded-rect, industrial geometry into a readable sans for contemporary digital and physical applications. By pairing open counters with softened corners and flattened terminals, it aims for a modern, engineered look that still feels friendly and accessible.
Round letters like O, Q, and 0 read as squarish ovals with smooth corner radii, reinforcing the superelliptical theme across the set. The uppercase shows a broad, stable stance, while the lowercase maintains a consistent, uncluttered texture in text. The 1 is simple and straight, and the 2/3 use horizontal terminals that echo the font’s squared curve language.