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Sans Normal Ogny 4 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Avenir Next', 'Avenir Next Arabic', 'Avenir Next Cyrillic', 'Avenir Next Georgian', 'Avenir Next Hebrew', 'Avenir Next Paneuropean', 'Avenir Next Thai', and 'Avenir Next World' by Linotype and 'SF Shabwa' by Sultan Fonts (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, modern, friendly, punchy, straightforward, impact, clarity, modernity, brand presence, legibility, geometric, rounded, blocky, compact, high-impact.


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A heavy, geometric sans with broad proportions and a compact, sturdy build. Strokes are uniform and dense, with large counters that stay open despite the weight. Curves are smoothly rounded (notably in C, G, O, and S) while terminals are predominantly flat and clean, creating a crisp, poster-like silhouette. The lowercase is simple and utilitarian, with single-storey a and g, short ascenders/descenders, and a rhythmic, even texture in text. Numerals are bold and stable, with rounded shapes and straightforward construction that matches the letters.

Best suited to headlines, posters, and other large-scale typography where a strong, solid presence is needed. It also works well for branding and packaging that benefits from simple, geometric forms and high visual impact, as well as signage that needs quick recognition at a glance.

The overall tone is assertive and contemporary, with a friendly geometric warmth rather than a cold technical feel. Its saturated color and broad shapes communicate confidence and immediacy, making messages feel direct and energetic.

The font appears designed to deliver maximum impact with minimal stylistic distraction, prioritizing bold, geometric clarity and consistent shapes for attention-grabbing display use. Its simplified lowercase and robust figures suggest an emphasis on practical, contemporary communication across branding and editorial headlines.

Spacing appears generous enough for clarity at display sizes, and the large interior spaces help prevent forms from clogging under heavy weight. The design favors simple geometry and consistent stroke behavior, producing a cohesive, logo-ready look across uppercase, lowercase, and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸