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Free for Commercial Use

Serif Contrasted Osna 2 is a very bold, narrow, very high contrast, upright, normal x-height font visually similar to 'Didonesque Stencil' by Monotype and 'Bodoni Z37' by Typodermic (names referenced only for comparison).

Keywords: headlines, magazine, posters, branding, packaging, dramatic, editorial, fashion, classic, theatrical, luxury feel, display impact, editorial tone, brand presence, didone-like, vertical stress, hairline serifs, crisp, sharp.


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This typeface presents a sharply contrasted serif voice with pronounced vertical stress and crisp hairline details. Main strokes are thick and emphatic, while joins, serifs, and inner curves taper quickly to fine points, creating a lively light–dark rhythm. Serifs are small and neat, tending toward hairline terminals with minimal bracketing, and many letters show tight apertures and compact counters that reinforce a condensed, commanding silhouette. The lowercase includes distinctive calligraphic touches—such as curled descenders and tapered entry/exit strokes—while figures echo the same bold stems and delicate finishing strokes for a cohesive set.

Best suited for display applications where contrast and detail can be appreciated: headlines, magazine titling, fashion and culture layouts, posters, and high-impact branding. It can also work for short subheads, pull quotes, and elegant packaging where a condensed, authoritative serif is desired.

The overall tone is confident and high-drama, with a refined, showy elegance reminiscent of luxury editorial typography. Its stark contrast and compact proportions give it a commanding presence that feels formal, stylish, and slightly theatrical rather than casual or utilitarian.

The design appears intended to deliver a luxe, high-impact serif for attention-grabbing typography, combining strict vertical stress with finely cut terminals to create a polished, editorial look. It prioritizes dramatic texture and stylish silhouettes for display composition over low-contrast readability.

At larger sizes the fine terminals and hairlines read as deliberate, jewelry-like details; in dense settings the narrow interior spaces can create heavy texture and strong word shapes. The ampersand and several lowercase forms introduce expressive curves that add personality without breaking the formal, high-contrast system.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸