Sans Superellipse Humey 3 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Muller Next' by Fontfabric, 'Absolut Pro' by Ingo, 'Allotrope' by Kostic, 'Taz' by LucasFonts, and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).
Keywords: posters, headlines, branding, packaging, signage, retro, punchy, playful, compact, poster-ready, space saving, high impact, retro display, logo friendly, attention grabbing, blocky, rounded corners, squared curves, ink-trap-like notches, condensed.
A compact, heavy sans with rounded-rectangle construction and squared-off curves that give counters a superelliptical feel. Strokes are uniformly thick with minimal modulation, and terminals are blunt, often with subtly tapered or chamfered corners. Many glyphs show small interior notches and tight apertures that add texture to the silhouette, while the overall fit is dense and economical. Numerals and capitals read as strong, blocky forms with simplified geometry and controlled roundness rather than true circles.
Best suited to short, high-impact settings such as posters, large headlines, logos, packaging, and bold signage where its dense forms and squared-round bowls can read clearly. It can work for brief subheads or callouts, but the tight apertures and heavy color make it less ideal for extended small-size text.
The tone is bold and attention-seeking with a distinctly retro, display-first personality. Its chunky shapes and squared curves feel energetic and slightly mischievous, leaning toward headline drama rather than quiet neutrality.
The design appears intended to deliver maximum impact in a condensed footprint, combining rounded-rectangle geometry with blunt terminals for a strong, modernized retro look. The small notches and compact counters seem aimed at adding character and preventing the shapes from feeling overly generic at display sizes.
Round letters like O/Q/C lean toward squarish bowls, and diagonals (V/W/X) are built from thick wedges that emphasize weight and rhythm. The lowercase keeps a compact, sturdy stance; dots and small details are squared and heavy, reinforcing the overall blocky texture in text.