Sans Superellipse Femok 3 is a very bold, very narrow, low contrast, italic, normal x-height font visually similar to 'Albireo' by Cory Maylett Design, 'Hype vol 2' by Positype, 'Core Mellow' by S-Core, and 'Competition' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, labels, sporty, urgent, industrial, retro, assertive, compact impact, speed cue, display emphasis, brand punch, condensed, slanted, rounded, compact, blocky.
A condensed, forward-slanted sans with heavy, uniform strokes and compact proportions. Curves are built from rounded-rectangle geometry, giving counters and terminals a softened, superelliptical feel even as the overall silhouette stays tall and tight. The face relies on a strong vertical rhythm with minimal stroke modulation, short crossbars, and sturdy joins; apertures are relatively small, and spacing is tuned to keep words dense and forceful. Numerals and caps match the same compressed stance, producing a consistent, high-impact texture in lines of text.
Best suited to attention-grabbing headlines, posters, and short bursts of copy where a compact, high-energy look is desirable. It can work well for sports and motorsport-style branding, bold packaging and labels, and promotional graphics that benefit from dense letterfit and a strong forward motion.
The overall tone is fast, loud, and utilitarian—more about momentum and punch than refinement. Its strong slant and condensed massing suggest speed and pressure, while the rounded corners keep it from feeling sharp or delicate. The result reads as confident and performance-oriented, with a distinctly retro-industrial energy.
The design appears intended to deliver maximum impact in a narrow footprint, combining a built-in italic sense of speed with rounded, superelliptical construction for a robust, modern-industrial finish. It prioritizes visual momentum and compact presence over open, text-oriented clarity.
At display sizes the tight apertures and dense spacing create a solid, poster-like color; in longer settings it will feel intentionally compressed and emphatic. The italic construction is integral to the design rather than a mild oblique, so the slant becomes a primary stylistic cue.