Hollow Other Byga 6 is a very bold, normal width, very high contrast, upright, normal x-height font visually similar to 'Corporative Sans Round Condensed' by Latinotype; 'Sebino Soft' by Nine Font; and 'Core Sans CR', 'Core Sans ES', and 'Core Sans GS' by S-Core (names referenced only for comparison).
Keywords: headlines, posters, packaging, kids, stickers, playful, puffy, retro, friendly, cartoon, standout, whimsy, friendly branding, novelty display, retro flavor, rounded, soft, bulbous, chunky, bouncy.
A heavily rounded, puffy sans with thick, monoline-style strokes and soft terminals throughout. The letterforms are built from inflated shapes with generous curves, compact counters, and a slightly irregular rhythm that keeps the texture lively rather than strictly geometric. Many glyphs show small internal cutouts/knockouts and highlight-like notches that read as decorative hollows within the heavy black mass. Lowercase forms are simple and stout, with single-storey a and g, a short-shouldered r, and a robust, rounded s; figures are similarly chunky with smooth, blobby contours.
Best suited for short, bold display settings where its rounded mass and hollowed details can read clearly—headlines, posters, playful branding, packaging, labels, and kid-oriented or novelty graphics. It also works well for logos and wordmarks that want a friendly, cartoonish impact.
The overall tone is cheerful and humorous, with a toy-like, confectionary presence that feels approachable and lighthearted. The hollowed details add a quirky, crafted character, leaning toward a retro display vibe rather than a neutral workhorse sans.
The design appears intended to deliver maximum visual weight with a soft, approachable silhouette, while the internal knockouts add a distinctive twist that separates it from standard rounded sans faces. It prioritizes personality and immediate recognition in display typography over long-form readability.
The texture is intentionally inky and compact, so counters can get tight in smaller sizes; the decorative internal cutouts become a key part of the look at display scales. Round letters (O, Q, C) feel especially inflated, and diagonals (V, W, X) maintain the same soft, cushioned edges for a consistent, bouncy silhouette.