Sans Normal Addos 11 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Reyhan' by Plantype; 'Core Sans A', 'Core Sans AR', 'Core Sans N', 'Core Sans N SC', and 'Core Sans NR' by S-Core; 'Stevie Sans' by Typefolio; and 'Artico' by cretype (names referenced only for comparison).
Keywords: branding, headlines, posters, ui labels, advertising, modern, dynamic, clean, technical, sporty, emphasis, modernity, clarity, motion, versatility, oblique, rounded, geometric, neutral, crisp.
A slanted sans with smooth, rounded curves and low-contrast strokes that keep the color even across text. The proportions lean geometric, with circular bowls, open apertures, and straightforward joins that read cleanly at display sizes. Uppercase forms are sturdy and wide-set, while lowercase maintains a clear rhythm with simple terminals and a restrained, uncluttered construction. Numerals follow the same oblique stance and rounded geometry, matching the letterforms for consistent texture.
This font works well for branding, headlines, and promotional typography where an energetic, forward-leaning voice is useful. It also fits UI labels, dashboards, and contemporary product graphics that benefit from a clean, geometric sans with added momentum. For longer text, it will be most comfortable in short blocks, pull quotes, and callouts where the oblique stance supports emphasis.
The italic angle adds motion and urgency, giving the face an active, contemporary tone. Its clean geometry and even stroke weight feel matter-of-fact and professional, with a slight sporty or tech-forward edge rather than a literary or ornamental mood.
The design appears intended to provide a modern italic sans that stays neutral and highly legible while projecting speed and clarity. Its rounded geometry and even stroke treatment suggest a focus on consistency across uppercase, lowercase, and numerals for practical, contemporary typography.
Round counters and smooth curves keep the look friendly despite the forward slant, and spacing appears balanced enough to preserve legibility in short paragraphs. The overall impression is cohesive and systematic, with few idiosyncratic details competing with the italic flow.