Sans Superellipse Hakuv 4 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Factory' by Brainware Graphic, 'Charles Wright' by K-Type, 'LS Trappist 1' by Leviathan Science, and 'Reload' by Reserves (names referenced only for comparison).
Keywords: headlines, branding, posters, packaging, signage, techy, industrial, futuristic, game-like, utilitarian, impact, modernize, systematize, tech branding, squared, rounded corners, compact, sturdy, geometric.
A compact geometric sans built from squared, rounded-rectangle forms with consistent stroke weight and clean, crisp terminals. Curves are largely expressed as superellipse-like rounds, producing boxy counters and softened corners rather than true circular bowls. Uppercase shapes feel wide and planted with large, stable horizontals, while the lowercase keeps simple constructions and sturdy joins; spacing reads tight but even, supporting dense settings. Numerals follow the same squared-round logic, with clear, blocky silhouettes and minimal contrast.
Best suited to display use where its boxy, rounded geometry can read as a deliberate style choice—headlines, logos, apparel graphics, packaging, and signage. It also works well for tech-leaning UI moments such as feature callouts, navigation labels, and dashboards, especially at larger sizes where the distinctive counters and squared curves remain clear.
The overall tone is modern and machine-made, with a rugged, engineered feel that suggests interfaces, hardware labeling, and sci‑fi or sports-tech aesthetics. Its softened corners prevent it from feeling harsh, while the squared geometry keeps it purposeful and authoritative.
The design appears intended to deliver a strong, contemporary sans with a superelliptical, rounded-rectangle construction—prioritizing clarity, impact, and a consistent geometric system over traditional humanist warmth.
Several letters emphasize rectangular counters and clipped curves (notably in C/G/S and the bowls of B/P/R), reinforcing a consistent “rounded box” motif across the set. Diagonals in forms like A, K, V, W, X, and Y are straight and decisive, balancing the font’s rounded corners with a precise, constructed rhythm.