Sans Superellipse Hakiz 16 is a bold, wide, monoline, upright, normal x-height font.
Keywords: display, headlines, branding, logos, packaging, techy, retro, industrial, futuristic, playful, geometric voice, tech aesthetic, modular consistency, display impact, rounded corners, squared forms, geometric, blocky, compact counters.
A geometric sans built from rounded-rectangle and superellipse-like forms, with uniform stroke weight and softly chamfered/rounded terminals. Curves tend to square off into flattened bowls, giving letters like C, G, O, and Q a distinctly “rounded box” silhouette. Corners are consistently eased, while diagonals (A, K, V, W, X, Y) remain crisp and sturdy, producing a strong, modular rhythm. Counters are relatively compact and squared, and the overall spacing reads steady and deliberate, emphasizing a robust, engineered texture in text.
Best suited to display applications where its modular geometry can be a feature: branding and logo work, poster and headline typography, product packaging, and tech-themed interfaces or signage. It can also work for short text blocks when a distinctive, engineered texture is desired.
The face feels decidedly digital and hardware-adjacent, evoking control panels, arcade-era graphics, and sci‑fi UI typography. Its rounded corners soften the tone just enough to keep it friendly, but the squared geometry maintains an industrial, purposeful attitude.
The design appears intended to translate rounded-rectilinear geometry into a coherent alphabet that reads cleanly at larger sizes, emphasizing a constructed, contemporary-tech aesthetic. Consistent corner treatment and monoline structure suggest a focus on clarity, repeatable shapes, and a strong graphic voice across letters and numerals.
Distinctive idiosyncrasies—such as the squared, inset-like bowls, the angular joins, and the rounded-rectangle numerals—reinforce a constructed, display-oriented personality. The lowercase maintains the same geometric logic as the uppercase, helping mixed-case settings look cohesive and “designed” rather than purely utilitarian.