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Free for Commercial Use

Sans Superellipse Pomof 2 is a bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Hoolister' by Ckhans Fonts, 'Kaneda Gothic' by Dharma Type, 'Polate' and 'Polate Soft' by Typesketchbook, and 'Heading Now' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, signage, packaging, branding, condensed, industrial, modern, poster, authoritative, space saving, high impact, geometric consistency, signage clarity, modern utility, rounded corners, compact, tall, monoline, rigid.


Free for commercial use
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A tall, tightly packed sans with compact proportions and a strong vertical emphasis. Strokes are largely monoline, with squared construction softened by consistently rounded corners, giving counters and bowls a rounded-rectangle feel. Curves are restrained and controlled, terminals are mostly blunt, and the rhythm is steady and mechanical. The lowercase is clean and utilitarian, with simple single-storey forms and minimal modulation, while figures follow the same condensed, sturdy construction for a uniform texture.

Well suited to headlines, posters, and display typography where a compact width and strong presence are valuable. It also fits signage, labels, packaging, and bold brand wordmarks that need a tall, condensed look with controlled geometry.

The overall tone is assertive and utilitarian, combining a contemporary, engineered feel with a slightly retro signage flavor. Its narrow, tall silhouette reads as efficient and space-saving, projecting clarity, discipline, and a no-nonsense voice.

The design appears intended to deliver maximum impact in minimal horizontal space, using simplified, geometric letterforms with rounded-rectangle curvature for a cohesive, industrial-modern voice. It prioritizes consistency and a strong silhouette to stay readable and punchy at display sizes.

The softened corners keep the dense, vertical structure from feeling overly harsh, and help maintain legibility in tight settings. The consistent geometry across letters and numbers produces a strong, even typographic color that holds up well in short lines and stacked layouts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸