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Sans Superellipse Utgof 5 is a bold, very wide, low contrast, upright, tall x-height font visually similar to 'Miura' by DSType, 'Eurostile Candy' by Linotype, 'Parsi' by Naghi Naghachian, and 'Hyperspace Race' by Swell Type (names referenced only for comparison).

Keywords: headlines, branding, posters, signage, ui labels, futuristic, techy, assertive, clean, sporty, display impact, tech branding, systematic geometry, modern utility, rounded corners, squared curves, geometric, modular, industrial.


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This typeface is built from squared-off, superellipse-like strokes with generously rounded corners and a consistent, heavy line weight. Curves resolve into flattened arcs and rounded rectangles, giving counters a boxy, engineered feel (notably in O, D, and 0). Terminals are mostly blunt and horizontal/vertical, with occasional angled joins in letters like K, V, W, X, and Y. Proportions favor broad, stable forms and a large x-height; spacing appears open and steady, producing a strong, uniform texture in text.

It works best for high-impact headlines, logos, packaging, and poster typography where its wide, squared-round shapes can read boldly at a glance. The clean, modular construction also suits interface labels, dashboards, and wayfinding/signage that benefit from sturdy, simplified letterforms. It is particularly effective in tech, automotive, gaming, and sports-adjacent visual systems where a futuristic, engineered voice is desired.

The overall tone feels futuristic and utilitarian, with an unmistakably tech-forward, machine-made character. Its squared-round geometry reads as modern and synthetic rather than humanist, projecting confidence and efficiency. The bold presence and wide stance make it feel sporty and display-driven, suited to contemporary digital and industrial aesthetics.

The design appears intended to merge geometric sans clarity with a rounded-rectangular, industrial flavor, producing a contemporary display face with strong presence and consistent structure. Its simplified curves and blunt terminals suggest an emphasis on reproducible, system-like forms that remain legible and distinctive at larger sizes.

Rounded-rectangle construction is especially evident in the lowercase, where forms like a, e, and g emphasize compact bowls and simplified apertures. The numerals follow the same squared-round logic, with a distinctive, engineered look that stays consistent with the caps. In running text, the uniform stroke and broad shapes create a prominent, high-impact gray value that prioritizes clarity and presence over delicacy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸