Sans Other Nyma 9 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'BR Shape' by Brink, 'Duplet Open' by Indian Type Foundry, and 'Centra No. 2' by Monotype (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, event promo, playful, futuristic, techno, punchy, graphic, distinctive texture, display impact, tech branding, retro futurism, logo emphasis, stencil cut, inline breaks, geometric, high impact, rounded terminals.
A heavy, geometric sans with rounded bowls and simplified, blocky construction. Many glyphs incorporate deliberate horizontal cut-ins and occasional vertical notches that read like stencil bridges or inlaid slits, creating a consistent “broken” stripe through counters and strokes. Curves are broadly circular and terminals are clean and blunt, while diagonals (V, W, X, Y) stay sturdy and angular. The overall rhythm is compact and bold, with the decorative interruptions acting as the defining texture across letters and figures.
Best suited to headlines, posters, branding marks, and packaging where its bold mass and signature cut-ins can read clearly. It also works well for event promotion, tech-themed graphics, and short taglines where a strong, stylized voice is desired over neutral text readability.
The repeated cut-line motif gives the face a playful, techno character—part stencil, part display gadgetry. It feels energetic and slightly retro-futuristic, with a sporty, emblem-like attitude that stands out strongly in short bursts of text.
The design appears intended as an attention-grabbing display sans that differentiates itself through systematic stencil-like interruptions across the alphabet. The goal is a cohesive graphic texture that signals modernity and motion while keeping the underlying letterforms straightforward and geometric.
The stripe-like breaks often pass through counters (e, o, 8, 9) and key strokes (E, F, T), producing distinctive silhouettes but also introducing intentional fragmentation. This makes the design highly recognizable at larger sizes, while the internal cuts can become visually busy if reduced too far or used in dense settings.