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Free for Commercial Use

Stencil Elko 1 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'AC Texto' and 'AC Texto Pro' by Antoine Crama, 'Dexa Pro' by Artegra, 'Muller' by Fontfabric, 'Interval Sans Pro' by Mostardesign, and 'Hoxton North' by The Northern Block (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, labels, industrial, utilitarian, mechanical, tactical, retro, stencil effect, industrial voice, high impact, signage clarity, high-contrast cuts, rounded corners, segmented, poster-like, technical.


Free for commercial use
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A heavy, monoline sans with pronounced stencil interruptions that segment strokes into clean, repeatable modules. Forms are built from broad verticals and simplified curves, with rounded outer corners and squared terminals that keep the silhouette sturdy. The cutouts read as consistent bridges across rounds and joins (notably in O/Q/8 and many lowercase counters), producing a rhythmic pattern of gaps that remains legible at display sizes. Proportions are compact and sturdy, with simple, geometric construction and minimal internal detailing.

Best suited for posters, headlines, and short callouts where the stencil rhythm can be appreciated. It also fits industrial-style signage, packaging, labels, and prop/wayfinding graphics that benefit from a fabricated or marked-on look.

The overall tone feels industrial and utilitarian, evoking equipment labeling, shipping crates, and engineered signage. The repeated breaks add a mechanical, tactical edge while the rounded corners soften the severity, giving it a retro-fabricated, workshop-ready character.

The design appears intended to deliver a robust stencil aesthetic with consistent bridge logic and high visual impact. It prioritizes quick recognition and a manufactured, cut-from-material feel, balancing strict segmentation with slightly softened geometry for approachable readability.

The stencil breaks are integrated into both straight and curved strokes, creating distinctive counter shapes (especially in letters like e, g, o, and numerals). Several glyphs lean on simplified geometry for clarity, making the font feel purpose-built for bold, high-impact setting rather than delicate text work.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸