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Free for Commercial Use

Sans Normal Oslim 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Humanist 777' by Bitstream; 'Delargo DT' by DTP Types; 'FF Transit' by FontFont; 'Frutiger', 'Frutiger Arabic', 'Neue Frutiger', 'Neue Frutiger Cyrillic', and 'Neue Frutiger Paneuropean' by Linotype; 'FreeSet' by ParaType; and 'Belle Sans' by Park Street Studio (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, impactful, modern, straightforward, strong emphasis, modern utility, clear display, systematic geometry, blocky, geometric, rounded, compact, high legibility.


Free for commercial use
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This typeface is a heavy, geometric sans with compact proportions and broad, rounded curves. Strokes are uniformly thick with minimal modulation, producing sturdy counters and clear internal spaces even at large sizes. Terminals are mostly flat and squared-off, while bowls and shoulders stay smoothly circular, creating a consistent, engineered rhythm across uppercase, lowercase, and numerals. The lowercase forms read cleanly and utilitarian, with simple joins and sturdy stems that keep word shapes stable in dense settings.

Well-suited for headlines, posters, and prominent UI or signage where strong presence and quick recognition are needed. It also works for branding and packaging systems that rely on bold, geometric letterforms to carry a simple, modern identity.

The overall tone is bold and direct, leaning modern and functional rather than expressive or calligraphic. Its weight and simplified forms give it a strong, assertive voice suitable for attention-grabbing messages without feeling decorative.

The design appears intended to deliver maximum visual punch with a clean, geometric build and consistent stroke weight. It prioritizes clarity and uniformity, aiming for a dependable, contemporary sans that holds up in large display settings and bold typographic layouts.

In text, the heavy color and tight, even letterforms create strong emphasis and clear hierarchy. The numerals share the same robust, rounded construction, matching the letters well for layouts that mix text and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸