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Free for Commercial Use

Sans Normal Mybid 8 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Ingeo' by Blancoletters, 'Elisar DT' by DTP Types, 'Ideal Sans' by Hoefler & Co., 'Gardner Sans' by Lewis McGuffie Type, 'Agilita' by Linotype, 'Axios Pro' by TipoType, and 'Monterchi' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, playful, friendly, chunky, bold, retro, high impact, friendly display, playful branding, retro poster, rounded, soft corners, blocky, compact.


Free for commercial use
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A heavy, rounded sans with broad proportions and compact internal counters. Strokes are thick and even, with softened corners and generously curved bowls that keep the shapes friendly despite the weight. The uppercase feels sturdy and geometric, while the lowercase uses simple, single-storey forms (notably the a and g) and short, stout extenders for a dense, poster-like texture. Numerals are similarly chunky and rounded, with tight apertures that emphasize mass and silhouette over fine detail.

This font is best suited to headlines and short text where a bold, friendly tone is needed—posters, packaging, storefront signage, social graphics, and logo-style wordmarks. It can work for brief callouts or emphasis in layouts, but will be most legible and characteristic at medium-to-large sizes where its tight counters remain clear.

The overall tone is upbeat and approachable, with a chunky, nostalgic presence that reads as fun rather than severe. Its rounded geometry and dense color give it a confident, attention-grabbing voice suited to playful or casual messaging.

The design appears intended as a high-impact rounded sans that combines geometric simplicity with a soft, approachable feel. It prioritizes strong silhouettes, compact rhythm, and a playful display character over delicate detail or long-text neutrality.

Spacing appears relatively tight at display sizes, creating a strong, continuous rhythm in paragraphs. Round characters like O, Q, and 0 are especially prominent, and the heavy weight makes smaller counters and openings visually collapse sooner, favoring larger settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸