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Free for Commercial Use

Sans Superellipse Geket 7 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Benton Sans' and 'Benton Sans Std' by Font Bureau, 'PG Gothique' by Paulo Goode, 'Sans Beam' by Stawix, and 'Kommon Grotesk' by TypeK (names referenced only for comparison).

Keywords: posters, headlines, sports branding, packaging, signage, sporty, urgent, confident, industrial, headline, impact, motion, space saving, brand punch, display clarity, condensed, oblique, blocky, rounded corners, high impact.


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A tightly proportioned, heavy oblique sans with compact counters and a pronounced forward slant. The forms are built from rounded-rectangle geometry: curves stay blunt and full, corners are softened, and joins feel sturdy rather than calligraphic. Strokes read as largely even, with minimal modulation, producing dense silhouettes and strong vertical rhythm. The lowercase is compact with a sturdy, single-storey feel in several letters, and the numerals match the same thick, streamlined construction for consistent color in text.

Best suited to short, high-impact settings such as posters, big headlines, sports or event branding, packaging callouts, and attention-grabbing signage. It will also work for bold subheads where a compact, forward-leaning emphasis is desired, but is less ideal for small body text due to its dense counters and strong slant.

The overall tone is forceful and energetic, with a fast, forward-leaning posture that suggests motion and determination. Its chunky, rounded construction keeps the voice friendly enough to avoid harshness, while still projecting authority and impact.

The design appears intended to deliver maximum punch in limited horizontal space, pairing condensed proportions with rounded, superelliptical shapes for a modern, muscular look. The consistent oblique stance and simplified, low-modulation strokes aim to communicate speed, strength, and clarity at display sizes.

Spacing appears tuned for large sizes: the heavy weight and narrow apertures create a solid typographic “block,” and internal spaces can close up quickly as sizes decrease. The oblique angle is consistent across caps, lowercase, and figures, reinforcing a unified, speed-oriented character.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸