Sans Superellipse Dumim 15 is a regular weight, normal width, low contrast, upright, normal x-height, monospaced font.
Keywords: ui labels, dashboards, code snippets, packaging labels, signage, technical, retro, utilitarian, clean, mechanical, system clarity, grid consistency, terminal aesthetic, friendly tech, rounded corners, squared curves, soft geometry, stencil-like, modular.
A monolinear sans with squared, superellipse-driven curves and consistently rounded corners throughout. The letterforms feel constructed from straight segments and soft rectangular bowls, creating a modular rhythm and even color. Terminals are blunt and gently radiused, counters are compact, and round letters read more like rounded rectangles than circles. Spacing and proportions are highly uniform, reinforcing a structured, grid-friendly texture in both uppercase and lowercase, with simplified, geometric numerals to match.
Well suited to interface labeling, dashboards, and other dense informational layouts where consistent rhythm and quick character recognition are important. It also fits packaging, wayfinding, and technical documentation, and can be used for headlines or badges when a clean, retro-technical voice is desired.
The overall tone is functional and instrument-like, balancing a friendly softness from the rounded corners with a crisp, engineered discipline. It evokes terminals, labeling systems, and mid-century/early-digital display aesthetics without becoming decorative.
The font appears designed to deliver a pragmatic, system-like reading experience with a distinctive superelliptical geometry. Its uniform construction and softened corners suggest an intention to combine machine clarity with approachable, contemporary rounding for on-screen and labeling contexts.
The design’s squared bowls and radiused joins give it strong stability at small sizes and a distinctive silhouette in larger settings. The sample text shows a steady baseline and consistent character width that emphasizes a typewriter/console cadence, while the rounded geometry keeps long lines from feeling harsh.