Sans Superellipse Oklel 5 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'ATF Poster Gothic' by ATF Collection and 'Cybersport' by Anton Kokoshka (names referenced only for comparison).
Keywords: ui design, app branding, product design, signage, headlines, modern, friendly, techy, clean, utilitarian, clarity, modernity, approachability, systematic, rounded, superelliptic, square-rounded, geometric, monolinear.
A rounded, geometric sans built from squarish superellipse forms and soft corners. Strokes read as largely monolinear with minimal contrast, and terminals are consistently rounded, giving the glyphs a smooth, engineered finish. Counters tend toward rounded-rectangles (notably in O, D, and 0), while straight-sided letters like E, F, H, and N keep a crisp, vertical/horizontal grid feel. The lowercase shows simple, sturdy constructions with a single-storey a and g, compact bowls, and short, rounded joins; numerals follow the same squared-round logic with open, clear interior spaces.
It performs well in interface typography, dashboards, and product identities where a rounded-technical voice helps readability and reduces visual harshness. The compact, consistent shapes also suit short headlines, labels, wayfinding, and packaging where clarity and a contemporary tone are priorities.
The overall tone is contemporary and approachable: clean and technical without feeling cold. Rounded corners and squarish curves suggest a product/UI sensibility—precise, functional, and mildly playful—suited to modern digital environments and brand systems that want clarity with softness.
The font appears designed to merge geometric discipline with softened edges, using superellipse-like curves to deliver a modern, screen-friendly look. Its consistent rounding and squared counters suggest an intention to feel both engineered and welcoming, maintaining strong legibility while projecting a distinctive, contemporary character.
The design emphasizes uniform stroke rhythm and consistent corner radii, creating a cohesive texture in paragraphs. Round letters are more squared than circular, and diagonals (V, W, X, Y) remain clean and restrained, supporting a systematic, constructed feel.