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Free for Commercial Use

Sans Normal Abbag 6 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Almarose' by S&C Type, 'Pulp Display' by Spilled Ink, 'Segment' by Typekiln, and 'Clarika Pro' by Wild Edge (names referenced only for comparison).

Keywords: ui text, editorial, branding, signage, presentations, clean, modern, airy, approachable, emphasis, clarity, versatility, modern tone, friendly voice, humanist, rounded, open counters, soft terminals, slanted.


Free for commercial use
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A slanted sans with smooth, rounded construction and consistently low stroke modulation. Curves are generous and open, with broadly circular bowls (notably in O/o and 0) and soft, clean terminals throughout. The rhythm is even and uncluttered, with straightforward geometry and clear joins; apertures stay open in letters like C, e, and s, supporting legibility. Figures are simple and contemporary, with a curved-foot 2 and a clean, balanced 8, matching the letterforms’ restrained, rounded tone.

This font suits interface typography, dashboards, and product UI where a clean sans with a gentle, friendly tone is desired. It also works well for editorial subheads, pull quotes, and short paragraphs that benefit from an italic voice without looking calligraphic. For branding and signage, the rounded forms and open counters keep it legible at a range of sizes while the slant adds emphasis and momentum.

The overall tone feels modern and friendly, combining a calm, neutral sans structure with an energetic italic slant. Its openness and rounded detailing read as approachable rather than technical, giving it an editorial, contemporary voice suitable for clear messaging with a bit of motion.

The design appears intended as a contemporary italic sans that stays neutral and highly readable, using rounded geometry and open shapes to maintain clarity. It balances a utilitarian sans framework with a softer, more personable finish, aiming for versatility across digital and print contexts where emphasis or motion is useful.

The italic angle is pronounced enough to create forward momentum while keeping shapes stable and easy to scan. Uppercase forms appear steady and spacious, while lowercase maintains a compact, readable texture with a single-storey a and g that reinforce the casual, humanist feel.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸