Sans Other Remup 9 is a bold, narrow, medium contrast, upright, normal x-height font.
Keywords: posters, headlines, logotypes, packaging, signage, industrial, techno, architectural, retro, compact impact, technical tone, signage clarity, retro futurism, rectilinear, squared, geometric, condensed, modular.
A condensed, rectilinear sans built from straight strokes and squared counters. Forms feel modular and engineered, with a strong vertical rhythm, flat terminals, and frequent right-angle turns rather than curves. Counters are tall and narrow, and several letters use open or notched constructions (notably in C/E/F and angular joins in K/R), producing a crisp, stencil-like clarity. The lowercase follows the same disciplined geometry, with single-storey shapes and compact apertures that keep texture tight and uniform in lines of text.
Best suited for display applications where its condensed, geometric texture can create impact—posters, headlines, branding marks, labels, and signage. It also works well for short UI headings, scoreboards, or tech-themed graphics where alphanumeric consistency is important, but is less comfortable for extended body text.
The overall tone is utilitarian and machine-made, leaning toward industrial signage and techno display aesthetics. Its rigid geometry and compressed proportions evoke retro-futurist and architectural lettering, with a slightly game/UI flavor due to the modular construction and high-contrast negative spaces.
The design appears intended to deliver a compact, high-impact sans with a distinctly constructed, modular feel. By prioritizing straight strokes, squared counters, and tight spacing, it aims to communicate efficiency and modernity while maintaining a retro-industrial character.
At larger sizes the squared counters and consistent stroke logic read as intentional and distinctive, while the narrow apertures and dense texture can make long passages feel intense. The numerals share the same tall, boxed structure, helping mixed alphanumeric settings stay visually cohesive.