Sans Other Remeb 9 is a very bold, very narrow, medium contrast, upright, tall x-height font visually similar to 'Fresno' by Parkinson (names referenced only for comparison).
Keywords: posters, headlines, signage, logos, packaging, industrial, gothic, authoritative, retro, mechanical, space saving, high impact, signage feel, structural tone, condensed, angular, chamfered, geometric, monolinear.
A condensed, heavy sans with tall proportions and a strongly vertical rhythm. Strokes are largely straight and monolinear, with frequent chamfered corners and clipped terminals that create a faceted, stencil-like geometry without true cutouts. Counters are narrow and rectangular, and curves are minimized into angled segments, giving round letters like O and Q a squared, octagonal feel. The lowercase maintains the same rigid construction as the uppercase, with compact apertures and tightly controlled interior space that reads cleanly at display sizes.
Best suited for display typography where impact and compact width are priorities—posters, headlines, branding marks, labels, and signage. It can also work for short UI labels or wayfinding where a strict, engineered aesthetic is desired, but the dense counters suggest avoiding long body text at small sizes.
The overall tone feels industrial and architectural, with an austere, regimented presence. Its angular construction evokes vintage signage and utilitarian labeling, projecting a firm, no-nonsense voice that can lean futuristic or militaristic depending on context.
The design appears intended to deliver maximum visual strength in a narrow footprint, using chamfered geometry and disciplined vertical structure to create a distinctive, systematized voice for titles and prominent messaging.
Distinctive notches and beveled joins add texture and help differentiate similar shapes in a dense condensed palette. Numerals and capitals share consistent width discipline and strong vertical stems, producing an even, poster-like color when set in lines.