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Distressed Jefy 2 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Rabon Grotesk' by 38-lineart, 'Flaco' by Letter Edit, 'Applied Sans' by Monotype, and 'SF Tobba' by Sultan Fonts (names referenced only for comparison).

Keywords: posters, headlines, album art, packaging, event flyers, grunge, rough, handmade, rugged, playful, add texture, evoke printwear, create impact, signal diy, blotchy, uneven, inked, torn-edge, organic.


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A heavy, all-caps-forward display face with chunky strokes and strongly irregular, torn-looking contours. Edges wobble and chip with a consistent distressed texture, producing lumpy curves, notched terminals, and occasional interior voids that feel like ink breakup or worn printing. Counters are generally open but irregular, and round forms (O, C, G) appear slightly squashed and textured rather than perfectly geometric. Lowercase is compact and sturdy with simple, single-storey forms (notably a and g), while numerals follow the same blunt, weathered construction for a cohesive set.

Best suited to headlines, posters, and short statements where its texture can read clearly and add atmosphere. It works well for music/event promotion, craft or outdoor-themed packaging, and editorial callouts that benefit from a rugged, printed feel; for longer text, larger sizes and generous leading help maintain clarity.

The texture and uneven silhouette give the font a gritty, handmade character that reads as raw and tactile. It suggests DIY printmaking, rough posters, and worn signage—more rebellious and earthy than polished—while still keeping a friendly, approachable rhythm thanks to its rounded massing.

The design appears intended to deliver a bold message with a deliberately imperfect surface—capturing the look of worn ink, rough stamping, or distressed print reproduction while preserving straightforward, legible letter shapes.

The distressed pattern is prominent enough to become part of the letterforms, creating a lively sparkle at larger sizes but increasing visual noise in dense passages. Spacing appears fairly even in the sample, though the irregular outlines create a naturally jittery color across lines of text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸