Sans Normal Amdoy 14 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Gilroy' by Radomir Tinkov, 'Core Sans C' by S-Core, and 'Brahma' and 'Brahma Rounded' by Tall Chai (names referenced only for comparison).
Keywords: ui text, body text, signage, editorial, brand systems, neutral, modern, clean, approachable, utilitarian, everyday legibility, versatility, clarity, modern neutrality, monoline, rounded, open apertures, large counters, even rhythm.
This sans presents clean, monoline construction with gently rounded curves and straightforward, geometric-leaning proportions. Letterforms show generous counters and open apertures (notably in c, e, and s), supporting clarity at a range of sizes. Terminals are predominantly flat and crisp, while joins remain smooth, producing a calm, even texture in both uppercase and lowercase. Numerals follow the same restrained logic, with simple shapes and consistent stroke weight that keeps the set visually cohesive.
It suits interface typography and product copy where a consistent, unobtrusive voice is needed, and it should also perform well in editorial layouts that rely on steady paragraph color. The clear shapes and open interiors make it a practical option for signage and wayfinding, while the overall neutrality supports flexible use in brand systems that need a modern sans without strong stylistic bias.
The overall tone is neutral and contemporary, prioritizing clarity over personality. Its rounded geometry softens the voice just enough to feel friendly and accessible, while the disciplined rhythm keeps it professional and matter-of-fact.
The design appears intended as a versatile general-purpose sans that emphasizes legibility, consistency, and a smooth, contemporary texture. Its restrained detailing and rounded geometric influence suggest a focus on dependable everyday use across print and screen.
Uppercase forms read steady and balanced, with round letters (O, Q, G) staying clean and open, and diagonals (V, W, X, Y) kept uncomplicated for a tidy silhouette. The lowercase maintains a familiar, workhorse structure with a straightforward two-storey-style clarity where needed and compact, readable shapes that avoid ornamental quirks.