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Free for Commercial Use

Sans Normal Myrid 9 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Elisar DT' by DTP Types, 'Siro' by Dharma Type, 'Croma Sans' and 'Impara' by Hoftype, 'Telder HT Pro' by Huerta Tipográfica, 'Core Sans NR' by S-Core, 'Multi' by Type-Ø-Tones, and 'Ebony' by TypeTogether (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, bold, friendly, confident, playful, impactful, attention-grabbing, approachability, modern branding, display emphasis, rounded, soft corners, chunky, compact counters, high ink coverage.


Free for commercial use
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A heavy, rounded sans with broad proportions and softened corners throughout. Strokes are thick and relatively even, creating dense letterforms with compact counters and a strong, poster-like color on the page. Curves are smooth and inflated, while joins and terminals tend to square off subtly, balancing friendliness with a sturdy, engineered feel. The overall rhythm is stable and upright, with consistent heft across caps, lowercase, and figures.

Best suited to display sizes where its dense weight and wide stance can deliver maximum impact—headlines, posters, storefront/signage, packaging, and bold brand marks. It can work for short UI labels or callouts when set with generous spacing, but it is most effective when used sparingly as a strong typographic voice.

The font conveys a loud, approachable confidence: upbeat, punchy, and slightly playful rather than severe. Its inflated shapes and rounded edges read as friendly and contemporary, while the weight and width add a sense of assertiveness and immediacy.

The design appears intended as a modern, high-impact sans that combines rounded, approachable forms with substantial weight for attention-grabbing communication. It prioritizes bold presence and simple geometry to remain legible and consistent in prominent display contexts.

In longer text, the dark texture becomes a dominant visual feature, emphasizing headlines over extended reading. The wide shapes and tight interior spaces make small sizes more prone to filling in, while larger settings showcase the clean geometry and smooth curves.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸