Sans Superellipse Pybol 9 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Apocalyptic' by Artisticandunique (names referenced only for comparison).
Keywords: ui labels, signage, packaging, headlines, branding, techy, modern, utilitarian, friendly, sturdy, systematic design, strong legibility, technical voice, compact economy, rounded, squared-off, compact, geometric, high-contrast counters.
A compact, geometric sans built from squared curves and rounded-rectangle (superellipse-like) bowls. Strokes are consistently heavy and largely uniform, with corners softened rather than sharp, producing a blocky-but-smooth silhouette. Counters tend to be rectangular/rounded-rect and fairly tight, while key joins and terminals are straight-cut and confident. The uppercase is wide and stable with simplified construction, and the lowercase follows a single-storey, functional approach (notably in a, g), keeping forms closed and sturdy. Numerals share the same rounded-rect logic, with a distinctive, boxy 0.
Works well where a robust, space-efficient sans is needed—UI/UX labels, navigation, wayfinding, and product or equipment marking. It also suits bold editorial headings, posters, and brand wordmarks that want a modern, slightly industrial flavor without looking harsh.
The overall tone reads contemporary and technical, like labeling found on devices, interfaces, or industrial products. Rounded corners add approachability, but the dense weight and squared geometry keep it pragmatic and no-nonsense.
Likely designed to provide a cohesive geometric voice with rounded-rectangle forms, balancing a technical, engineered feel with softened corners for readability and approachability. The emphasis on compact counters and consistent stroke treatment suggests a focus on clarity and strong presence in short text and display settings.
The letterforms emphasize legibility through clear, simplified shapes and strong verticals, with minimal modulation or calligraphic influence. Round characters (O, Q, 0) feel more like rounded capsules than true circles, giving the design a cohesive, system-like rhythm across letters and figures.