Sans Superellipse Ogkun 6 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Roundkey' by 38-lineart, 'Festivo Letters' by Ahmet Altun, 'Molde' by Letritas, and 'Hardley Brush' by Negara Studio (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, branding, industrial, assertive, modern, compact, utilitarian, space saving, high impact, modern utility, systematic geometry, rounded, condensed, blocky, geometric, sturdy.
A condensed, heavy sans with monoline strokes and a distinctly squared, superellipse construction. Curves resolve into rounded-rectangle bowls and counters, giving letters like O, C, and D a softened boxiness rather than true circles. Terminals are mostly flat with consistent corner radii, producing a uniform, engineered texture. Proportions are tall and compact, with relatively narrow set widths and tight interior counters that stay readable at display sizes. Numerals follow the same rounded-rect geometry, keeping a cohesive, sign-like rhythm across mixed alphanumeric text.
Best suited for headlines, posters, packaging, and branding that need a compact, high-impact voice. It also works well for signage and labels where a sturdy, condensed sans can deliver clear, space-efficient wording at larger sizes.
The overall tone is direct and functional, with a confident, no-nonsense presence. Its softened corners prevent it from feeling harsh, while the condensed stance and weight suggest efficiency, strength, and contemporary industrial design.
The design appears intended to merge a condensed, space-saving footprint with a softened rectangular geometry for a modern, industrial feel. It prioritizes strong silhouette and consistent rhythm, aiming for dependable clarity and bold presence in display-driven typography.
The uppercase shows strong vertical emphasis and simplified joins, while lowercase forms maintain the same squared-round logic for bowls and shoulders, creating a consistent pattern in longer lines. The design’s repeated corner radii and straight-sided curves contribute to a compact, even color in paragraphs and punchy impact in headlines.