Sans Superellipse Esleh 12 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Dikta Neue' by Atasi Studio, 'Mollen' by Eko Bimantara, 'Futo Sans' by HB Font, 'Galvani' by Hoftype, and 'Meutas' and 'Meutas Soft' by Trustha (names referenced only for comparison).
Keywords: headlines, branding, sportswear, tech branding, posters, sporty, futuristic, technical, energetic, modern, speed, modernity, impact, brand voice, clarity, oblique, rounded, squarish, compact, streamlined.
This typeface is a slanted, monoline sans with rounded-rectangle construction and consistently softened corners. Curves read as superelliptical rather than circular, giving letters like O, D, and C a squared-off, aerodynamic feel. Terminals are generally blunt and clean, joins are smooth, and the overall rhythm is compact with slightly extended horizontals in characters such as E and Z. Figures follow the same rounded-square logic, with open counters and sturdy, simplified shapes intended to stay clear at display sizes.
It works best for headlines, short bursts of text, and brand marks where a sense of speed and modernity is desirable. The strong, rounded silhouettes suit sports, automotive, and technology-oriented identities, as well as posters and packaging that need an energetic, contemporary voice.
The tone is fast and engineered, combining a sporty italic stance with clean, rounded geometry. It conveys motion and efficiency—more “performance branding” than neutral UI—while remaining friendly due to the generous rounding and open forms.
The likely intention is a modern, performance-leaning sans that blends friendly rounding with streamlined, forward motion. Its superelliptical geometry and consistent oblique stance suggest it was drawn to look distinctive and fast in display contexts while staying clean and legible.
The design maintains a consistent slant across caps, lowercase, and numerals, and the letterforms favor simplified, high-impact silhouettes over delicate detail. Round letters and bowls are notably squarish, and many strokes end in flat, slightly angled cuts that reinforce the forward-leaning, dynamic impression.