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Sans Superellipse Eskef 12 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Genius' by Artegra, 'Jano Round' and 'Jano Sans Pro' by Craceltype, 'Linear Grotesk' by Designova, 'Siro' by Dharma Type, 'Innova' by Durotype, 'Moris' by Katatrad, 'Binate' by Monotype, and 'Reyhan' by Plantype (names referenced only for comparison).

Keywords: branding, ui labels, headlines, packaging, posters, sporty, friendly, modern, techy, dynamic, modernize, add motion, soften geometry, improve approachability, rounded, soft corners, geometric, monoline, oblique stress.


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A rounded, oblique sans with monoline strokes and smooth superellipse-like curves. Corners are consistently softened, giving terminals a cushioned feel rather than sharp cuts. The geometry leans toward rounded rectangles in bowls and counters, while diagonals and curves keep a steady, even rhythm across the set. Proportions are clean and contemporary, with open apertures and clear, simplified forms that stay legible at display and text sizes.

This font is well suited to branding and logo wordmarks that need a friendly, contemporary voice, as well as UI labels and product interfaces where rounded shapes can feel welcoming. The energetic slant also works well for headlines, posters, and packaging that benefit from a sense of motion without becoming overly stylized.

The overall tone is upbeat and contemporary, combining a friendly softness with a forward-leaning sense of motion. Its rounded construction reads approachable and product-like, while the oblique stance adds energy that feels sporty and modern.

The design appears intended to blend geometric clarity with softened, superellipse-inspired forms, creating a modern sans that feels approachable and dynamic. The consistent oblique angle suggests an emphasis on speed and momentum while retaining straightforward readability.

Round letters such as C, G, O, and Q show squarish-round modulation typical of superellipse construction, and the numerals share the same softened geometry for a cohesive texture. The italic angle is consistent and the spacing feels even, producing a smooth, continuous typographic color in the sample paragraphs.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸