Serif Contrasted Osme 2 is a very bold, normal width, very high contrast, upright, normal x-height font visually similar to 'FS Ostro' by Fontsmith, 'Brim Narrow' by Jamie Clarke Type, and 'Moisette' by Nasir Udin (names referenced only for comparison).
Keywords: headlines, editorial, posters, branding, packaging, fashion, dramatic, luxury, classic, impact, refinement, editorial tone, brand prestige, display emphasis, vertical stress, hairline serifs, sharp terminals, deep bracketing, ball terminals.
This typeface is a bold, high-contrast serif with pronounced vertical stress and crisp hairline serifs. Thick main stems pair with very thin horizontals and joins, creating a strong black-and-white rhythm and a distinctly sculpted silhouette. Serifs are fine and pointed with minimal softness, while curves show dramatic thick–thin modulation; round letters like O and C read with elegant tension and tight apertures. Lowercase forms are sturdy and compact with a moderate x-height, featuring notable ball terminals and teardrop-like counters in letters such as a, c, e, and g. Numerals follow the same display-oriented contrast, with distinctive, ornamental curves and strong vertical emphasis.
Best suited to headlines, deck text, pull quotes, posters, and identity work where high contrast and strong vertical rhythm can read clearly. It works particularly well for fashion/editorial layouts, luxury packaging, and brand marks that benefit from a classic yet dramatic serif voice.
The overall tone is formal and theatrical, projecting an editorial, high-end mood associated with magazines, luxury branding, and statement typography. Its bold presence feels confident and traditional yet fashion-forward, with a slightly ornate flavor from the ball terminals and extreme modulation.
The design appears intended to deliver maximum impact through extreme thick–thin contrast and refined hairline detailing, echoing modern editorial serifs while maintaining a traditional, upright structure. Its detailing and dense weight suggest it is meant to command attention in display settings rather than disappear into long-form text.
In running text the dense color and sharp contrast create a punchy texture, especially at larger sizes where the hairlines and terminals remain visually intentional. The design shows a display-first personality: tight internal spaces, assertive strokes, and expressive details that reward generous sizing and spacing.