Sans Superellipse Abmak 17 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Jheronimus' by Aronetiv, 'Safran' by Hubert Jocham Type, 'JAF Facit' by Just Another Foundry, 'Darwin Pro' by Los Andes, and 'Helia Core' by Nootype (names referenced only for comparison).
Keywords: ui text, product design, signage, editorial, presentations, clean, modern, friendly, neutral, utilitarian, clarity, modernization, approachability, system consistency, rounded corners, open apertures, soft terminals, geometric, even rhythm.
This typeface is a monolinear sans with a geometric backbone and noticeably rounded corners throughout. Curves tend toward superellipse-like shapes rather than perfect circles, giving bowls and counters a softly squared, controlled feel. Strokes stay even and consistent, with clean joins and simple, unembellished terminals. Spacing reads steady and functional, and the numerals share the same compact, rounded-rectangle construction as the letters, reinforcing a cohesive, system-like texture in text.
It suits interface typography, product labeling, dashboards, and other settings where clarity and consistency matter. The softened geometry also works well for contemporary brand systems and straightforward editorial or presentation use where a clean, friendly sans is desired.
The overall tone is contemporary and approachable, combining a technical, UI-minded cleanliness with softened geometry. It feels calm and straightforward rather than expressive, with just enough rounding to avoid harshness.
The design appears intended to deliver a modern, general-purpose sans with a geometric, superelliptical construction that stays neutral in tone while improving approachability through rounded corners and smooth curves.
Round forms such as O, Q, and 0 appear slightly squarer than traditional grotesks, and many corners are subtly radiused, producing a uniform, softened silhouette across the alphabet. The sample text shows clear word shapes and an even color, suitable for long lines without drawing attention to individual letter quirks.